Artwork – Page Two
Here you’ll find doodles, sketches, drawings, and paintings from several different people.
This page is a visual collection of artwork tied to my books—everything from covers and storyboards to release posters and painted scenes pulled from the novels.
It focuses on The First Responder Trilogy: First Responder, Second Chances, and Hemoglobin Insecure—with a few quick shout-outs to other titles that will be featured in full on the next page.
Sections are intentionally staged as placeholders for future growth and teasers.
Some Videos
Bereft Reality | Picking Murphys | Site 123 | They Heinous
They Heinous Conceptual Images
The conceptual art for First Responder visualizes a world where ordinary places carry unseen weight—apartments, streets, accident scenes, and quiet rooms caught between routine and catastrophe. Each image reflects moments where duty, hunger, and identity intersect, revealing the thin line between those who respond to emergencies and those who create them.
They Heinous – Random Prestige Series Bible Art
They Heinous
Conceptual frames from the world of They Heinous — therapy offices, dim hallways, late-night kitchens, and controlled domestic spaces where care becomes surveillance and authority quietly turns predatory. These images explore the ordinary environments in which trust is granted, routines feel safe, and judgment hides behind professionalism, revealing how “help” can become harm long before anyone notices.
Site 123 – Random Prestige Series Bible Art
Site 123
Conceptual frames from the world of Site 123 — abandoned facilities, long rural roads, overgrown clearings, weathered structures, and the liminal spaces between towns where help is far away and silence feels intentional. These images focus on place as a character, capturing landscapes that appear empty but feel occupied, where the environment itself becomes an accomplice to whatever waits unseen.
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Picking Murphys – Random Prestige Series Bible Art
Picking Murphys
Hemoglobin Insecure follows Amalie as she offers Thomas a pact he cannot refuse: hunt a shared enemy together, or lose what little remains of the man he once was. Bound by blood, history, and necessity, they become something more dangerous than rivals—partners—trading mercy for survival and identity for vengeance.
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Bereft Reality – Random Prestige Series Bible Art
Bereft Reality
Conceptual frames from the world of Picking Murphys — airports, small-town streets, foothill shadows, mining scars, and the quiet domestic places where “normal” starts to fail.
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Current Project – Random Prestige Series Bible Art
Current Project
Hemoglobin Insecure follows Amalie as she offers Thomas a pact he cannot refuse: hunt a shared enemy together, or lose what little remains of the man he once was. Bound by blood, history, and necessity, they become something more dangerous than rivals—partners—trading mercy for survival and identity for vengeance.
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Drawings
Conceptual frames from the world of Picking Murphys — airports, small-town streets, foothill shadows, mining scars, and the quiet domestic places where “normal” starts to fail.
Published Works
Book Covers
This section gathers the visual and thematic remnants of my five published works, and upcoming projects, each piece tracing a different descent into obsession, violence, and consequence. Together, they map a single creative trajectory—stories that stand alone, yet echo one another in blood, memory, and aftermath.
Prestige Series Bibles
In time, my young padawan.
Equal Hunger
Equal Hunger speaks to the quiet truth beneath survival: that struggle does not choose sides, and neither does endurance. Success here isn’t measured by purity or permission, but by the ability to keep going—through fear, through desire, through nights that demand more than anyone planned to give. What survives is not the strongest or the most righteous, but the ones who adapt, persist, and refuse to disappear, no matter how the dark tries to define them.
Miscellaneous
The Miscellaneous section gathers visual odds and ends that don’t belong to a single book or series but still speak to the larger world behind the stories. These pieces capture experiments, side concepts, branding fragments, and tonal sketches that help define the atmosphere and connective tissue of my work.
Where I’ve Been and Where I’m Going
Where I’ve Been and Where I’m Going collects moments of reach and recognition beyond the page — readers found, conversations sparked, and places the work has traveled. It also looks forward, marking the path ahead through future appearances, platforms, projects, and the growing space between what’s been written and what’s coming next.
Release Posters
This section collects the visual posters created for each novel and series entry, distilling theme, tone, and intent into a single striking frame. These images serve as both announcement and artifact—designed to evoke the world of the story before a single page is turned.
Bereft Reality
Bereft Reality is an introspective psychological horror centered on grief, isolation, and the slow collapse of certainty. Reality fractures subtly at first—small distortions, unreliable memory, moments that don’t align—until the ground beneath the narrative gives way entirely. The protagonist is left to navigate a world that no longer agrees with itself.
This novel explores the aftermath of loss and the danger of unresolved trauma. Horror emerges not from monsters, but from the mind’s attempt to survive unbearable absence. Bereft Reality asks what happens when mourning becomes the environment, and escape is no longer possible.
Picking Murphys
Picking Murphys is a slow-burn descent into isolation, grief, and the danger of quiet places. After a family relocates to a small California town, the landscape itself begins to press inward—mines, forests, and abandoned structures holding memories that refuse to stay buried. What begins as a fresh start becomes an excavation of everything left unsaid.
The novel centers on loss, childhood perception, and the way trauma seeps into ordinary life. The horror here is patient, watching from the tree line and waiting for permission to step forward. Picking Murphys is about what follows you when you move, and what happens when the land remembers you before you remember yourself.
First Responder
First Responder begins as a psychological crime novel and slowly reveals itself as something far more dangerous. Dr. Thomas Stevens works nights as an eating-disorder psychologist, hiding a predatory nature behind discipline, routine, and control. Karen, an EMT with her own scars and rigid moral code, crosses his path by accident—an encounter that draws the attention of Amalie, an ancient vampire who knows Thomas by another name and from another life.
As bodies accumulate and secrets fracture, the story shifts from investigation to exposure. Love, obsession, and survival collide as Karen uncovers the truth, Linda broadcasts it to the world, and Thomas is forced to confront what he is and what he has always been. The novel explores identity, hunger, and the cost of choosing mercy in a world that rewards monsters.
Site 123
Site 123 blends institutional horror with psychological erosion, set in a place designed to contain what should never be studied. Procedures, protocols, and language meant to sanitize the work begin to fail as the truth of the site surfaces. The deeper the investigation goes, the less clear it becomes who is observing whom.
This novel interrogates authority, secrecy, and the illusion of control. As boundaries collapse, the cost of knowledge becomes measurable in blood, memory, and identity. Site 123 is about systems that protect themselves at all costs—and the people they are willing to sacrifice to do so.
They Heinous
They Heinous is a predatory narrative about surveillance, coercion, and power exchanged through fear rather than force. The story follows women navigating manipulation, exploitation, and violence masked as opportunity. Every interaction carries consequence, and consent is distorted by threat and necessity.
The novel examines how control is exerted in plain sight and how compliance is manufactured through desperation. Brutal and unrelenting, They Heinous focuses on survival within systems designed to erase autonomy, and the cost of reclaiming agency when the rules were never fair to begin with.
Second Chances
Second Chances opens in the aftermath, where survival has rewritten the rules and forgiveness is no longer free. Karen is no longer just an EMT, and Thomas is no longer hiding behind the structure of his old life. Amalie reenters with purpose, offering alliance instead of annihilation, binding past sins to future necessity.
This installment is about motion—running east, running from, and running toward. Old enemies surface, new hunters rise, and the lines between predator and protector blur completely. Second Chances is a story of pursuit and uneasy partnership, asking whether redemption is earned, stolen, or simply taken when the alternative is extinction.
Hemoglobin Insecure
Hemoglobin Insecure is the most unflinching chapter, where vulnerability becomes weaponized. Amalie makes Thomas an offer he cannot refuse: hunt a common enemy together, and she will preserve what remains of his humanity. The alliance is brutal, efficient, and deeply personal, stripping both of them down to intent rather than morality.
The novel explores control, dependency, and the terror of survival without illusion. Characters are broken, reshaped, and forced into roles they never wanted but cannot escape. This is a story about bloodlines, psychological fracture, and the cost of staying alive when the world no longer allows innocence.
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Author Pics
Paintings
YOU Systems
YOU Systems exists to remind women that survival is not a flaw, and self-preservation is not a sin. This space is about choosing yourself without apology, understanding that the path to strength is often dark, deliberate, and psychologically demanding. Every word here reinforces a simple truth: you are allowed to protect your worth, no matter what it takes.
Motivational
This space exists to remind women that survival is not a flaw and self-preservation is not a sin. It speaks to choosing yourself without apology, understanding that strength is often built through darkness, intention, and psychological resolve. Every word here reinforces a single truth: you are allowed to protect your worth, no matter what it takes.
You do not owe softness to a world that sharpened you. Taking care of yourself is not selfish, excessive, or dramatic; it is the only way you get to keep everything else. The scars you carry are maps, not warnings.
